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DiVersions took place in the Royal Museum of Art and History in Brussels from 4 to 11 December 2016 and was inspired by the way versions are inscribed in daily software-practice. With 35 participants we explored how parallel to their conventional narrative of collaboration and consensus, we could produce divergent histories through supporting difference.
The worksession was followed by an exhibition in De Pianofabriek and this publication in 2019. A second version of this publication and of the exhibition will be hosted by De Krook (Ghent) in June 2020.
With contributions from: Rahel Aima, Anaïs Berck, Ž. Blaće, Cristina Cochior, Sarah Kaerts, Phil Langley, Marie Lécrivain, Nicolas Malevé, Elodie Mugrefya, Zoumana Meïté, Mia Melvær, Martino Morandi, Michael Murtaugh, Colm o’Neill, Kris Rutten, Amir Sarabadani, Femke Snelting, Saskia Willaert.
Editorial team: Constant (Elodie Mugrefya, Femke Snelting)
Scenography: Mia Melvær, Cristina Cochior
Graphic design: OSP (Gijs de Heij, Sarah Magnan)
DiVersions is an initiative of Constant and developed in partnership with: UGent - Department of Educational Studies, Werkplaats immaterieel erfgoed, PACKED - Expertisecentrum Digitaal Erfgoed, RoSa - Kenniscentrum voor gender en feminisme. With the support of: Vlaamse Overheid, Vlaamse Gemeenschapscommissie, Fédération Wallonie-Bruxelles Arts Numériques.